Crouching Tiger, Hidden Dragon was one of the first films in the new genre, cross over cinema. Kohrana explains cross over cinema as cinema that crosses cultural borders, but not exclusively in the manifestation of its audience like other similar genres (transnational film, world cinema). Cross over cinema truly is that because it crosses national borders in a multitude of ways including:
- Hybrid Cinematic Text
It is important to think of cross over cinema in terms of what it means in an increasingly globalised world. Cross over cinema reimagines the boundaries that film producers may have faced. It is also important to examine how these creative practitioners comprehend this shift. They also need to examine how they produce content in this climate.
Take for instance the cross over hit, Slumdog Millionaire. Danny Boyle’s production spoke to viewers on a much deeper level because thematically it dealt with things that had universality. Kohrana defines this need for interconnection as:
Transnational appeal needs to be both globally and locally dispersed rather than invested in an elite Western milieu.
This explanation also draws attention to the idea that cross over cinema cannot solely rely on Western stories and opinion to define it. This description imbeds the idea that really good cross over cinema like all cinema relies on good story telling. Although it looks and feels genuinely different to stories that are inwardly focused it still must provide the viewer with as much substance.